Curated by studio artist / writer / DJ Dennis Kane
Jennifer Bolande
post conceptual objects and images
For our Wednesday art post, Dennis Kane features one of his favorite artists Jennifer Bolande. Her work uses photography/ sculpture to create quietly arresting moments that examine instances around the periphery of thought. She indexes and points to fault lines of power and ideological habit. Check more of her work at her website.
“Coincident with Bolande’s conscious deployment of dichotomies is an intense concentration on the meeting places between objects, the points where two differences border and thus define themselves.
Bolande pays an almost surrealist attention to loci of simultaneous meeting and division as sites for potential transformation”
Photo Credit: jbolande.com
Quotation Credit: Art Forum, Something to Do with Jennifer Bolande, January 1989
Portrait Credit: Jennifer Bolande, Chambre D'amis
Matias Faldbakken
creative vandalism
This week’s art post features the work of Matias Faldbakken. Faldbakken’s sculptures/ combines have an absurdity to them, a dark comic theatricality and resonant gestalt. He is represented by Standard Oslo. In addition to his visual art he has written several novels and a collection of short stories.
“Faldbakken... (has an) ability to bite his own tail by making works that unite vandalism and creativity, while both celebrating and lamenting the constant commodification of rebellious acts.
More than anyone, he understands that frontal critique only reinforces the classic master-slave dialectic, and that true radicality consists of infiltrating and perverting the system from within. ”
Photo credits:
Simon Lee Gallery, London, Hong Kong
Occula, Gallery Chant Grousel, Paris
Renaissance Society, “Fear of Property” Installation, University of Chicago
Mousse Magazine, Museum Boijmans, Rotterdam
kunstkritikk, Nordic Art Review, Astrup Fearnley Museum of Modern Art, Oslo
Erica Baum
photograph poetry
For the first Wednesday art post, Kane has selected the photo collage work of Erica Baum. Erica is represented by the New York gallery Bureau. Baum’s work is a quiet but intensely resonate examination of looking, fragments, slices, folds, traces. Dynamics of power enfolded in the mundane. A sly challenge to the habits and presumptions of form.
Untitled (Simbolismo), 1994, (Blackboards), gelatin silver print, 20 × 24 inches. Courtesy of the artist and Bureau, New York.
Erica Baum, A Methode of a Cloak, 2020, exhibition view, Markus Lüttgen, Düsseldorf
“Erica Baum’s photographs examine the ways we use language to classify, index, and assert knowledge. Working primarily with obsolescent media from the twentieth century—card catalogs, player piano rolls, sewing patterns—Baum isolates serendipitous interactions among fragments of text and the surrounding visual field. Her carefully disorienting framing, as well as her more active interventions, grant a poetic charge to these encounters. ”
Photo Credit: Bureau NYC
Artviewer, Markus Lüttgen, Düsseldorf, Germany
Quote Credit: Rajesh Parameswaran, BOMB Magazine